ED2015: Preview Edition FESTIVAL 2015 INDEX DOWNLOAD THIS EDITION AS PDF READ THIS EDITION ONLINE Read features from the Preview Edition… Andrew Ryan: Former PI turned stand-up Art Festival to visualise 'The Improbable City' Gilded Balloon: Thirty years young House Of Blakewell: Happy, happy, happy Latest venue innovations on the Fringe: Underbelly's Circus Hub LetLuce: Setting sail for another Fringe Linda Cattaneo: Cranking up the Discoteque Machine Maddy Anholt: Best Fringe date Máire Clerkin: Confessions of a dodgy Irish dancer Penny Ashton: With a little help from Ms Austen Poetry Corner #01: by Matthew Harvey (Auckland, New Zealand) Poetry Corner #02: by Jennie Benton Smith (Class 10B) Shelley Mitchell: Performing with angels Stewart Francis: Stew penned this Stuart Bowden: Reversing into the Fringe The Dead Secrets: Curiosities in the Underbelly vaults Three To See 2015: A Trio Of Dragon Shows Three To See 2015: Autobiographical Three To See 2015: Book Festival Three To See 2015: Circus Three To See 2015: Comedians Facing Adversity Three To See 2015: Comedy Acts With Books Out Three To See 2015: Comedy Show Titles Worth Repeating Three To See 2015: Comedy that's ThreeWeeks approved Three To See 2015: Dance Pieces Three To See 2015: Dance Shows for Kids Three To See 2015: Delectable Duos Three To See 2015: Exhibitions Three To See 2015: Late Night Lovelies Three To See 2015: New Musicals Three To See 2015: Opera Three To See 2015: Politics Festival Three To See 2015: Sketch Shows Worth Checking Three To See 2015: Something A Bit Classical Three To See 2015: Something a bit contemporary (and musical) Three To See 2015: Something A Little Different Three To See 2015: Spoken Word Group Efforts Three To See 2015: Spoken Word Solo Pieces Three To See 2015: Theatrical Comedy Three To See 2015: Theatrical Solo Shows Three To See 2015: ThreeWeeks Approved Theatre Three To See 2015: Verbatim Performances Three To See 2015: Youth Events ThreeWeeks returns to help you navigate Edinburgh's big three weeks Will Pickvance: Dissecting the piano Yianni: Transgressing the 'line'
