Freddie Hayes transforms before our eyes into The Magic Lady, the first woman to be admitted to the Magic Circle. She’s also the recipient of an “orbular” power, a traveller of the astral plane, and a drinker of wine. Hayes’ character comedy is large, ostentatious and ridiculous: puppetry and non-specific accents abound. As a performer, she commands the energy in the room cleverly, wringing out pathos for her characters and employing the right amount of discomfort from her audience interaction. However, there’s a convoluted plot that looms large over the ending and creates a muddled overall piece. It feels like the show would benefit from being a series of skits without hampering Hayes’ tricks within an overarching narrative. More Penn and Teller, less David Copperfield.

Hoots at Potterrow, until 11 Aug.
tw rating 3/5 | [Louise Jones]