This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
ED2016 4/5 Reviews ED2016 Theatre Reviews
Gratiano (Grist To The Mill Productions)
By Hannah Greenstreet | Published on Tuesday 23 August 2016
Gratiano is not a character I remember from Shakespeare’s ‘The Merchant of Venice’ (he’s Bassiano’s friend, who marries Portia’s servant Nerissa). Grist to the Mill’s work-in-progress show explores what it’s like to be a “sidekick” rather than the “hero” of one’s own life. What makes this show refreshingly different from the innumerable adaptations of Shakespeare plays, told from a minor character’s perspective, is its political engagement. Ross Ericson sets the events and their aftermath in 1940s Fascist Italy, tracing how hateful, anti-Semitic rhetoric can lead to genocide. Ericson delivers a compelling performance in this one-man show as the brusque, heavy-drinking Gratiano. Although the set-up of the show as a police interview doesn’t quite work, there is enormous potential.
Spotlites, until 28 Aug.
tw rating 4/5 | [Hannah Greenstreet]
